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    <ifp:title>Early Modern Subjects, Shakespearean Performances, and (Post) Modern Spectators</ifp:title>
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    <ifp:title>Fording the Nation: the Abridgement of the British Problem in Perkin Warbeck (1634)</ifp:title>
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    <ifp:title>Back To The Future: Subjectivity and Anamorphosis in Richard I</ifp:title>
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    <ifp:title>'He hath changed his coppy': Anti-Theatrical Writing and the Turncoat Player</ifp:title>
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    <ifp:title>'Worse Than Malone or Sacrilege': The Exhumation of Shakespeare's Remains</ifp:title>
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    <ifp:title>'What verse for it? What instance for it?': Authority, Closure, and the Endings of Troilus and Cressida in Text and Performance</ifp:title>
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    <ifp:title>The Rational Stage: John Dover Wilson and Hamlet Criticism Between the Wars</ifp:title>
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    <ifp:title>Poetry</ifp:title>
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    <ifp:title>Subversion Contained</ifp:title>
    <sm:lastmod>2016-11-14</sm:lastmod>
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    <ifp:title>Books Reviews</ifp:title>
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    <ifp:title>Contributors</ifp:title>
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