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    <ifp:title>Introduction: South Asia and the Americas</ifp:title>
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    <ifp:title>Traveling “Back” to India: Globalization as Imperialism in Pico Iyer's Video Night in Kathmandu</ifp:title>
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    <ifp:title>Veiled Strangers: Rabindranath Tagore's America, in Letters and Lectures</ifp:title>
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    <ifp:title>“The Shadow Class”: Immigration and Class in Contemporary South Asian/American Fiction</ifp:title>
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    <ifp:title>Dismissive Diaries, Desiccated Journeys, and Reductive Fictions: Sri Lanka in the Writings of Donald Friend, Shiva Naipaul, and Julian West</ifp:title>
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    <ifp:title>Facing East, Facing West: Mark Twain's Following the Equator and Pandita Ramabai's The Peoples of the United States</ifp:title>
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    <ifp:title>Looking at Assam: The American Baptist Missionary and Assamese Modernity</ifp:title>
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    <ifp:title>We are Honored and Delighted</ifp:title>
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    <ifp:title>"Sick Eros": The Sexual Politics of Antonioni's Trilogy</ifp:title>
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    <ifp:title>Spatial Representation in Cognitive Science and Film</ifp:title>
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    <ifp:title>Psychoanalysis, Cinema, History: Personal and National Loss in RenÃ© ClÃ©ment's Forbidden Games</ifp:title>
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    <ifp:title>Blendings of Real, Fictional, and Other Imaginary People</ifp:title>
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    <ifp:title>Comments on Thomas Wartenberg's Thinking on Screen: Film as Philosophy</ifp:title>
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    <ifp:title>Philosophy In/Of/As/And Film Thomas Wartenberg's Thinking on Screen: Film as Philosophy</ifp:title>
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    <ifp:title>Response to My "Critics"</ifp:title>
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